Grants, Grants, and More Grants (Why Get an MFA Part 1)
Why get an MFA and what
practical use does it have in advancing my career? After completing my first
year of graduate school at University of Michigan, here are the benefits I’ve
experience so far:
1. Resources
for training and research
2. Networking
with industry and academic professionals
3. Pedagogy
and curriculum development
4. Greater
appreciation for theory, especially concepts regarding PERFORMANCE, PRACTICE,
and PLACE
MFA Cohort: Mario, Jen, Me, Alexandria
1.
Resources
for Training and Research
The top two benefits of
attending the University of Michigan are its ample resources and extensive network.
There’s a reason why it’s ranked “No. 2 Public University” and “Top 30 National
Universities” in the U.S. (www.usnews.com). Big
bank draws big talent and top industry leaders in all fields including
business, medicine, culture, literature, and the arts. In the School of Music,
Theatre and Dance (SMTD), we have alumni who are Grammy award, Tony award, and
Oscar award winners. Within our dance department, we have faculty members who
have danced with Martha Graham, Paul Taylor, Jawole Willa Jo Zollar’s Urban
Bush Women, and Joffrey Ballet. If
some of these names don’t sound familiar, don’t worry! I honestly didn’t know most
of these ballet and modern dance pioneers prior to applying for this program as well.
Thankfully, the faculty wasn’t
looking for someone to know everything about modern dance history. In fact,
they have made noticeable efforts to push for “diversity, equity, and inclusion”
(DEI) in the department. Perhaps this is also why our cohort could be the cover
of photo of the United Nations Coalition. Truth be told, I do believe our
cohort’s diverse backgrounds expands the academic reach into non-traditional
fields of study. Mario is studying the migration patterns of refugees in
Central American and the Middle East. Jen is researching the impact of
architecture and space on the creative process of dancers. Alexandria is
examining the impact of generational trauma on Black communities. Lastly, my
research focuses on community activism through hip hop and street dance
culture. The University wouldn’t have access to these communities/spaces without our
distinct life experiences and skill sets. Therefore, we contribute to the pool of resources available to other students at the University.
Teaching class during Grad Takeover Week 2018
Despite our varying
interests, we have received overwhelming support from the dance department and across
the University. Each of us applied for grants and received support for our
summer research funding. I applied for thousands of dollars worth of grants for my research
in Los Angeles and Taiwan this summer, and I got everything I needed! Special thanks to the Department of Dance, Center for World Performance Studies, Center for Chinese Studies, and Rackham Graduate School.
Aside from grants, another significant
resource I gained through the University of Michigan is an expanded network. Within
my first year, I have traveled domestically to train and network at various
events including The Hip Hop Dance Conservative in New York City, Ladies of Hip
Hop Festival in Los Angeles, and EXPLODE Queer Dance Festival in Riverside,
California. I have also traveled to teach and perform internationally in
Johannesburg, South Africa, San Jose, Costa Rica, and Taiwan. I’ve met scholars
and performers from all walks of life including those from indigenous, LatinX,
LGBTQ, and non-gender conforming communities. Taking this academic journey has
offered me countless of opportunities to encounter people and cultures I never
would have otherwise.
Workshop with students at the Sibikwa Arts Centre near Johannesburg, South Africa
Even as I enter my second
and final year of graduate school, I look forward to gaining even more
experiences to refine my research topic. I have to synthesize everything I
learned into a thesis performance in April and a paper due June 2020. To be
honest, I’m more scared than excited. It’s overwhelming to think about putting
together a master’s thesis proposal and graduation. However, I’m grateful to
have a supportive cohort and faculty to learn from and grow with. Until then, I
hope to share my processes and thoughts around Performance, Practice, and Place here on this blog. Feel free to
check in once in a while to see what else is happening!
As always, feedback and comments are welcomed! Enjoy and
thanks for following my journey!


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